Thursday 3 April
12:00
Foyer Great Hall
Registration - informal networking
12:30 - 13:00
Great Hall
Pre conference introductory session to the EPARM and its work
13:00 - 14:00
Great Hall
Presentation Projects
14:00 - 14:30
Great Hall
Opening event
14:30 - 15:30
Great Hall
Keynote speech - Heloisa Amaral
15:30 - 15:50
Coffee break
15:50 - 16:20
Research Presentations I (click to check abstract and bio)
Room D501
I A - Exploring immersive sound spaces through artistic research - Seeking innovative museological experiences through music - Marinho, Helena et al.
Blackbox
I B - The Cabinet - Transforming Early Music’s Sound Library into Live Electronics - Forment, Bruno
Chamber Hall
I C - Making a Sonic Portrait of an Innovative Piano. Drawing inspiration from 19th-century performance practices, how can one design a recital that highlights the properties of Paulello's 102-key piano? - Vacher, Johann
16:20 - 16:30
Break to allow room change
16:30 - 17:00
Research Presentations II (click to check abstract and bio)
Room D501
II A - Sound City. How to integrate artistic research with societal entrepreneurship - Schopman, Esther
Blackbox
II B - Creativity through analysis. New music for old instruments - Adler-McKean, Jack
Chamber Hall
II C - Re-composing the soundscape. Post-Digital Era Values and Needs as Organizational Factors in the Perception of the Genius Loci - Piccoli, Dario
17:00 - 18:30
Location TBC
Open Space - Themed discussion chaired by Stephen Broad (EPARM WG)
19:00 - 20:00
Great Hall
Concert
20:00 - 21:00
Foyer Great Hall
Reception
Friday 4 April
09:30 - 10:30
Great Hall
Information Forum
10:30 - 11:00
Foyer Great Hall + White Building Foyer
Coffee Break + Information Market
11:00 - 12:30
Great Hall
Round Table
12:30 - 14:00
Foyer Great Hall
Lunch
14:00 - 14:40
Research performances I (click to check abstract and bio)
Room D511
I A - Microtonal Cornett & Live Electronics. Expanding the Historical Performance Practice of the Cornett in Glass Coloured - Tassie, Benjamin and Savan, Jamie
Blackbox
I B - Assume calibration pose: this breath isn’t mine. A haptic feedback performance exploring sound, body and technology - Tort Pujol, Cèlia and Bokelmann, Myrthe
Chamber Hall
I C - A great learning: how to find balance in the presence of a tiger. Experimental music-making as pathway to sustainable artistic practice - Laitinen, Juho
14:40 - 14:50
Break to allow room change
14:50 - 15:20
Research presentations III (click to check abstract and bio)
Room D511
III A - Performance as a Creative Medium in the Post-Digital Era. Works for saxophone and electronics by Rúben Borges and Nádia Carvalho - Sousa, Jorge and Portovedo, Henrique
Room D501
III B - Interconnections Between a Composer and the Community: How can artistic agency be shared through the development of co-creative compositional processes in diverse participatory settings? - Perivolaris, Electra
Chamber Hall
III C - Playgrounds. Gamified Audience Participation through Embodied Interaction in Multimedia Composition for Western Art Music Ensembles - González, Pedro
15:20 - 15:40
Foyer Great Hall
Coffee break
15:40 - 16:20
Research performances II (click to check abstract and bio)
Room D511
II A - The Odd Couple. Real-time improvisation between a human pianist and an AI-inspired system - Ben-Tal, Oded and Dolan, David
Blackbox
II B - Painted in Words. Concert-sound installation based on the aesthetics of surreal sound art - Šiurys, Andrius
Chamber Hall
II C - Forgotten Songs: Aspects of the Piano Part. The relationship between the evolution of the early piano and the development of the Lied genre - Punytė-Svigarienė, Jonė
16:20 - 16:30
Break to allow room change
16:30 - 17:10
Research presentations IV (click to check abstract and bio)
Room D511
IV A - Coming Up for Air in [LOCATION] An art-research initiative exploring the critical effects of Indoor Air Quality (IAQ) - Ma, Bofan and Williams, Kathryn
Room D501
IV B - "Telling stories" with sounds - Exploring the relationship between narrative structures and electroacoustic composition - Giaccio, Marina
Chamber Hall
IV C - Third Cycle Artistic Research Methods Informing Second Cycle Thesis: Embodying a Repertoire of Gestures in Orchestral Conducting - Westblad, Aron
17:10 - 17:20
Break to allow room change
17:20 - 18:00
Research performances III (click to check abstract and bio)
Blackbox
III B - Silent Spring: how sound can connects us to nature - Using music to share our climate concerns with the audience - Rojas Huertas, Francisco
Chamber Hall
III C - The Pianist in Contemporary Music: An Investigation with and through her Gesture - Parisi, Liliana
18:00 - 18:30
Guided tour of the academy (optional) - Meeting point: registration desk
19:00 - 21:00
Foyer Great Hall
Dinner
Saturday 5 April
09:10 - 09:40
Research presentations V (click to check abstract and bio)
Room D511
V A - Positioning the accordion(ist) within an improvisational ecology. Questioning distance and proximity within instrument- and performer’s based AR - Cornelissen, Rik
Room D501
V B - “Good composers borrow; great ones steal” . Ownership, advocacy, and ethics in compositional artistic research - Batty, James and Gorton, David
Chamber Hall
V C - The Mutual Permeation of Rap Music and Contemporary Art Music - Fu, Tian
09:40 - 09:50
Break to allow room change
09:50 - 10:20
Research presentations VI (click to check abstract and bio)
Room D511
VI A - Modernised Salon: Broadening Performers’ Perspectives on Public Presentation - Ecclesia, Vittoria and Kapten, Kristi
Room D501
VI B - Composing for Intercultural Instrumentation: Liminality and Idiomatic Resources - Politano, Marcelo
Chamber Hall
VI C - The Idea of Form and Possible Principles of Structurization In Improvisation Theoretical and practical implications of the model for improvisation “Ensemble as Synthesizer” - Samulionis, Matas
10:20 - 10:30
Break to allow room change
10:30 - 11:10
Research performances IV (click to check abstract and bio)
Room D511
IV A - Your tonality is not my tonality - meetings between the performer, the composer and the (micro)tonality. An exploration into using different tonalities from a performer’s perspective - Løvlid, Unni and Baudouin Lie, Marianne
Blackbox
IV B - phædrus - Ecological actions of resonance through uncharted music - Biagi, Ettore and Masui, Aya
Chamber Hall
IV C - How Does the Setting of a Piece of Music Affect the Way We Hear It? New Artistic Perspectives: Bridging the Prevailing Performance Cannons and Contemporary Research-Based Practices - Palšauskaitė, Monika
11:10 - 11:30
Foyer Great Hall
Coffee break
11:30 - 12:00
Research presentations VII (click to check abstract and bio)
Blackbox
VII A - Chamber Music as Social Utopia? On Ethics and Social Responsibility of Musical Practice - Kaiser, Jessica
Room D501
VII B - Moving Sound: A Choreography-Inspired Approach to Spatial Electroacoustic Composition - Iivari, Otto
Chamber Hall
VII C - Sculpting music performances: About Choreomania and the process of shaping a performance - de Teresa, Silvia
11:30 - 12:40
Room C405
Safe Space
12:40 - 13:00
Great Hall
