Research presentations selected from the call for proposals EPARM 2025
Adler-McKean, Jack - Creativity through analysis. New music for old instruments
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Batty, James and Gorton, David - “Good composers borrow; great ones steal” . Ownership, advocacy, and ethics in compositional artistic research
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Cornelissen, Rik - Positioning the accordion(ist) within an improvisational ecology. Questioning distance and proximity within instrument- and performer’s based AR
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de Teresa, Silvia - Sculpting music performances: About Choreomania and the process of shaping a performance
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Ecclesia, Vittoria and Kapten, Kristi - Modernised Salon: Broadening Performers’ Perspectives on Public Presentation
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Forment, Bruno - The Cabinet - Transforming Early Music’s Sound Library into Live Electronics
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Fu, Tian - The Mutual Permeation of Rap Music and Contemporary Art Music
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Giaccio, Marina - "Telling stories" with sounds - Exploring the relationship between narrative structures and electroacoustic composition
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González, Pedro - Playgrounds. Gamified Audience Participation through Embodied Interaction in Multimedia Composition for Western Art Music Ensembles
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Iivari, Otto - Moving Sound: A Choreography-Inspired Approach to Spatial Electroacoustic Composition
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Kaiser, Jessica - Chamber Music as Social Utopia? On Ethics and Social Responsibility of Musical Practice
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Ma, Bofan and Williams, Kathryn - Coming Up for Air in [LOCATION] An art-research initiative exploring the critical effects of Indoor Air Quality (IAQ)
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Marinho, Helena et al. - Exploring immersive sound spaces through artistic research - Seeking innovative museological experiences through music
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Perivolaris, Electra - Interconnections Between a Composer and the Community: How can artistic agency be shared through the development of co-creative compositional processes in diverse participatory settings?
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Piccoli, Dario - Re-composing the soundscape. Post-Digital Era Values and Needs as Organizational Factors in the Perception of the Genius Loci
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Politano, Marcelo - Composing for Intercultural Instrumentation: Liminality and Idiomatic Resources
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Samulionis, Matas - The Idea of Form and Possible Principles of Structurization In Improvisation Theoretical and practical implications of the model for improvisation “Ensemble as Synthesizer”
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Schopman, Esther - Sound City. How to integrate artistic research with societal entrepreneurship
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Sousa, Jorge and Portovedo, Henrique - Performance as a Creative Medium in the Post-Digital Era. Works for saxophone and electronics by Rúben Borges and Nádia Carvalho
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Vacher, Johann - Making a Sonic Portrait of an Innovative Piano. Drawing inspiration from 19th-century performance practices, how can one design a recital that highlights the properties of Paulello's 102-key piano?
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Westblad, Aron – Third Cycle Artistic Research Methods Informing Second Cycle Thesis: Embodying a Repertoire of Gestures in Orchestral Conducting
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Research performances selected from the call for proposals EPARM 2025
Ben-Tal, Oded and Dolan, David - The Odd Couple. Real-time improvisation between a human pianist and an AI-inspired system
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Biagi, Ettore and Masui, Aya – phædrus - Ecological actions of resonance through uncharted music
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Laitinen, Juho - A great learning: how to find balance in the presence of a tiger. Experimental music-making as pathway to sustainable artistic practice
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Løvlid, Unni and Baudouin Lie, Marianne - Your tonality is not my tonality - meetings between the performer, the composer and the (micro)tonality. An exploration into using different tonalities from a performer’s perspective.
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Palšauskaitė, Monika - How Does the Setting of a Piece of Music Affect the Way We Hear It? New Artistic Perspectives: Bridging the Prevailing Performance Cannons and Contemporary Research-Based Practices.
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Parisi, Liliana - The Pianist in Contemporary Music: An Investigation with and through her Gesture
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Punytė-Svigarienė, Jonė - Forgotten Songs: Aspects of the Piano Part. The relationship between the evolution of the early piano and the development of the Lied genre
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Rojas Huertas, Francisco - Silent Spring: how sound can connects us to nature - Using music to share our climate concerns with the audience
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Šiurys, Andrius - Painted in Words. Concert-sound installation based on the aesthetics of surreal sound art
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Summers, Sarah-Jane - Cross-Pollination & The Immersive Violin
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Tassie, Benjamin and Savan, Jamie - Microtonal Cornett & Live Electronics. Expanding the Historical Performance Practice of the Cornett in Glass Coloured
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Tort Pujol, Cèlia and Bokelmann, Myrthe - Assume calibration pose: this breath isn’t mine. A haptic feedback performance exploring sound, body and technology
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