AEC European Platform for Artistic Research in Music EPARM Conference 2022

7-9 April, Royal Academy of Music, London, UK

‘The Artistry of Artistic Research’

Thursday 7 April

13:00 Registration
Informal Networking – Coffee available
Patrons Room / Canteen
13:30 – 15:30 Pre Conference Workshop by Neil Heyde and Tina Fruhauf

Getting Started with Artistic Research: Strategies for Developing a Research Identity through Artistic Research

Henry Wood Room
14:30 – 15:30 Guided Tour of the Academy Meeting point: Canteen
15:45 – 16:30 Opening Event

Musical Introduction

Official Welcome by:

Jonathan Freeman-Attwood, Principal of the Royal Academy of Music

Stefan Gies, AEC Chief Executive

–  Stephen Broad, EPARM Chair

Duke’s Hall and online
16:30 – 17:30 Plenary Session I – Keynote by Timothy Jones, Deputy Principal Royal Academy of Music (London)

 

Moderated by David Gorton

Duke’s Hall and online
17:30 – 18:00 Networking with Refreshments Canteen
18:00 – 19:00
Concert –
PhD Projects Concert 1
Featuring Royal Academy of Music PhD students
Duke’s Hall
19:00 – 20:00 Reception Canteen
20:00 – 20:30
L8 NITE Performance I A

Toke Møldrup and Christian Westergaard

Royal Danish Academy of Music, Copenhagen (Denmark)

From specialisation to general practice – HIP in modern performance practice

Duke’s Hall and online
L8 NITE Performance I B

Alessandro Cazzato and Sharon Tomaselli

Conservatory of Music ‘Nino Rota’, Monopoli (Italy)

“Rewriting” as an Inter-Textual Approach to Contemporary Composition. Three Sketches for Two Violins by Paolo Geminiani

Concert Room
L8 NITE Performance I C

Sanae Zanane

Orpheus Institute, Leuven (Belgium)

The Late-Eighteenth-century Ballroom at One’s Fingertips: Contredanse and Beethoven’s “Tempest” Sonata

Henry Wood Room
20:30 – 20:45 Break to allow room change
20:45 – 21:15    L8 NITE Performance II A

Stephanie Lamprea

Royal Conservatoire of Scotland, Glasgow

An Imagist Perspective in the Modern Classical Voice: Performance of Aida Shirazi’s A Girl, and James May’s Sea Gods

Duke’s Hall and online
   L8 NITE Performance II B

Beatriz Galán Méndez

Prins Claus Conservatorium, Groningen (The Netherlands)

Classics meet Jazz: Jazz influences in classical piano repertoire from mid-twentieth century to nowadays

Concert Room
   L8 NITE Performance II C

Bella Tang

Royal Academy of Music, London (UK)

Making a legendary artist into a teacher: Using the pianistic art of Dinu Lipatti (1917-1950) to find my own voice

David Josefowitz Recital Hall
21:15 – 21:30 Break to allow room change
21:30 – 22:00
  L8 NITE Performance III A

Robert Sholl et al

Royal Academy of Music, London (UK)

‘In the Torture Chamber’: Improvisation, recording, production and the collective imagination in artistic research

Duke’s Hall and online
  L8 NITE Performance III B

Marie Heinrich

Queensland Conservatorium of Music, Griffith University (Australia)

Navigating Interculturalism Through Sound: The Pursuit of a Culturally Informed Performance of the Flute Music of Reza Vali

Concert Room
  L8 NITE Performance III C

XinRu Chen

Royal Academy of Music, London (UK)

Exploring Performers’ Doppelgängers: Reprogramming Schumann and Contemporary Piano Cycles

David Josefowitz Recital Hall

 

Friday 8 April

09:30 – 10:00 Informal Networking with Refreshments Canteen
10:00 – 10:30 Parallel Session I A

Lüneburg, Barbara

Anton Bruckner Private University, Linz (Austria)

Embodying Expression and Charisma – Breaking Boundaries of Classical Instrumental Practice

Duke’s Hall
Parallel Session I B

Hellaby, Julian

Independent Researcher

Bartók and the Topic of Drunkenness

Angela Burgess Recital Hall
Parallel Session I C

Peres Da Costa, Neal

Sydney Conservatorium of Music (Australia)

The Shock of the Old: Rediscovering the Sounds of Bel Canto 1700-1900

Online
10:40 – 11:10 Parallel Session II A

Chiantore, Luca

Escola Superior de Musica de Cataluyna, Barcelona (Spain)

Dethroning the Emperor: An artistic adventure within Beethoven’s Piano Concerto No. 5.

Duke’s Hall
Parallel Session II B

See, Ning Hui

Royal College of Music, London (UK)

From Theory to Action: Concert Programming Strategies for Clara Wieck-Schumann’s Piano Sonata in G minor (1841-42)

Angela Burgess Recital Hall
Parallel Session II C

Sclafani, Salvatore

Conservatoire Royal de Bruxelles (Belgium)

From folk culture to piano performance: a performance-oriented analysis of the influence of Argentinian folk dances in Alberto Ginastera’s
Suite de danzas criollas, op. 15

Online
11:20 – 11:50 Parallel Session III A

Biró, Dániel Péter

Grieg Academy, University of Bergen (Norway)

Translating Spirit into Sound: on the Methodology used in the Composition Cycle Ethica (2017-2021)

Duke’s Hall
Parallel Session III B

Craenen, Paul

Royal Conservatoire The Hague (The Netherlands)

Balancing proximity and distance in musical artistic research

Angela Burgess Recital Hall
Parallel Session III C

De Ridder, Khalida

Independent Researcher

Bow Distribution and its Analysis in Professional Violin Performance

Online
11:50 – 12:30 Coffee break  Canteen
12:30 – 13:00 Parallel Session IV A

Tassie, Benjamin

Royal Birmingham Conservatoire (UK)

Noticing a Landscape: Historical Instruments, Ecology, and Digital Media

Duke’s Hall
Parallel Session IV B

Mattos, Fabricio

Royal Academy of Music, London (UK)

New Stages: Aesthetic Possibilities and Challenges of Music Performance on Video

Angela Burgess Recital Hall
Parallel Session IV C

Arias Cuellar, Camilo

Royal Conservatory The Hague (The Netherlands)

Mestizajes: Cross-fertilizations between folk and baroque genres of the Fandango-Complex

Online
13:00 – 14:15 Lunch Canteen
14:30 – 16:00 Round Table on AR Advocacy and updates on Frascati Manual

Stefan Gies (AEC Chief Executive)

Johan A Haarberg (Executive Officer Society for Artistic Research)

Stephen Broad (EPARM WG Chair)

Jørn Mortensen (Dean School of Arts, Design and Media, Høyskolen Kristiania)

Chaired by Eirik Birkeland, AEC President

Duke’s Hall and online
16:00 – 16:30 Coffee break Canteen
16:30 – 18:00 Open Space – discussion groups on issue proposed by participants on the theme of the Frascati Manual

Introduction by Stephen Broad, EPARM working group chair

Concert Room
18:15 – 19:15
Concert –
PhD Projects Concert 2
Featuring Royal Academy of Music PhD students
Susie Sainsbury Theatre
19:15 – 20:00 Dinner International Students House

 

Saturday 9 April

09:00 – 09:30 Informal Networking with Refreshments Canteen
09:30 – 10:00 Parallel Session V A

Tchirkov, Sergej

Grieg Academy, University of Bergen (Norway)

Deconstructive Virtuosity

Online
Parallel Session V B

Sikk, Jaak

Estonian Academy of Music and Theatre, Tallinn (Estonia)

Influence of Stimulus Induced Imagery on the Process of Improvising Freely

David Josefowitz Recital Hall
Parallel Session V C

del Peón Pacheco, María Fernanda

Universidade de Aveiro/INET (Portugal)

With Tiger Claw: rethinking piano playing through endemic performance of Baja California Sur

Angela Burgess Recital Hall
10:10 – 11:00 Information Forum – short presentations by participants on artistic research initiatives Duke’s Hall and online
11:15 – 11:45 Parallel Session VI A

Ribeiro, Claudio

Royal Conservatory The Hague (The Netherlands)

Adding notes to the left-hand in the performance of late Baroque Italian music for solo keyboard

Duke’s Hall and online
Parallel Session VI B

Bain, Andrew

Royal Birmingham Conservatoire (UK)

Empathic Interaction: A Study of Jazz Ensemble Performance

David Josefowitz Recital Hall
Parallel Session VI C

Jolly, Amy

Royal Academy of Music, London (UK)

Orchestration for One Instrument

Angela Burgess Recital Hall
12:00 – 12:30 Parallel Session VII A

Baldassari, Maria Luisa

Conservatorio ‘G.B. Martini’, Bologna (Italy)

Learning from pictures – Keyboard performance practice in  Renaissance and Early Baroque paintings

Duke’s Hall and online
Parallel Session VII B

Pare, Arabella

Hochsule für Musik Karlsruhe (Germany)

Franz Liszt’s Variations on “Weinen Klagen” – Grief, Virtuosity and Historicity

David Josefowitz Recital Hall
Parallel Session VII C

Caruso, Giusy and Eldem, Umut

Royal Conservatory of Antwerp (Belgium)

In-Tensions

Angela Burgess Recital Hall
12:40 – 13:00 Closing Session

News from the AEC by Stefan Gies, AEC Chief Executive

Announcement of EPARM 2023

Closing remarks by Eirik Birkeland, AEC President

Duke’s Hall and online