Pre-Conference Seminar - Tina Frühauf and Neil Heyde
Download File
Plenary Session I - Keynote - Timothy Jones
Download File
L8Nite Performance I A - From specialisation to general practice – HIP in modern performance practice - Toke Møldrup and Christian Westergaard
Download File
L8Nite Performance I B - “Rewriting” as an Inter-Textual Approach to Contemporary Composition - Alessandro Cazzato
Download File
L8Nite Performance I C - Contredanse and Beethoven’s “Tempest” Sonata - Sanae Zanane
Download File
L8Nite Performance II A - An Imagist Perspective in the Modern Classical Voice - Stephanie Lamprea
Download File
L8Nite Performance II B - Jazz influences in classical piano repertoire - Beatriz Galán Méndez
Download File
L8Nite Performance II C - Using the pianistic art of Dinu Lipatti to find my own voice - Bella Tang
Download File
L8Nite Performance III A - Improvisation, recording, production and the collective imagination in artistic research - Sholl et al
Download File
L8Nite Performance III B - Navigating Interculturalism Through Sound - Marie Heinrich
Download File
L8Nite Performance III C - Reprogramming Schumann and Contemporary Piano Cycles - XinRu Chen
Download File
Parallel Session I A - Embodying Expression and Charisma - Barbara Lüneburg
Download File
Parallel Session I B - Bartók and the Topic of Drunkenness - Julian Hellaby
Download File
Parallel Session I C - The Shock of the Old - Neal Peres da Costa
Download File
Parallel Session II A - Dethroning the Emperor - Luca Chiantore
Download File
Parallel Session II B - Concert Programming Strategies (Clara Schumann) - Ning See
Download File
Parallel Session II C - From folk culture to piano performance: Argentinian folk dances in Alberto Ginastera’s Suite de danzas criollas - Salvatore Sclafani
Download File
Parallel Session III A - Translating Spirit into Sound - Daniel Peter Biró
Download File
Parallel Session III B - Balancing proximity and distance in musical artistic research - Paul Craenen
Download File
Parallel Session III C - Bow Distribution and its Analysis in Professional Violin Performance - Khalida De Ridder
Download File
Parallel Session IV A - Historical Instruments, Ecology, and Digital Media - Benjamin Tassie
Download File
Parallel Session IV B - Aesthetic Possibilities and Challenges of Music Performance on Video - Fabricio Mattos
Download File
Parallel Session IV C - Cross-fertilizations between folk and baroque genres of the Fandango-Complex - Camilo Arias Cuellar
Download File
Round Table on AR Advocacy and updates on Frascati Manual
Download File
Parallel Session V A - Deconstructive Virtuosity - Sergej Tchirkov
Download File
Parallel Session V B - Influence of Stimulus Induced Imagery on the Process of Improvising Freely - Jaak Sikk
Download File
Parallel Session V C - Rethinking piano playing through endemic performance of Baja California Sur - Maria Pacheco
Download File
Parallel Session VI A - Adding notes to the left-hand - Claudio Ribeiro
Download File
Parallel Session VI B - A Study of Jazz Ensemble Performance - Andrew Bain
Download File
Parallel Session VI C - Orchestration for One Instrument - Amy Jolly
Download File
Parallel Session VII A - Keyboard performance practice in Renaissance and Early Baroque paintings - Maria Luisa Baldassari
Download File
Parallel Session VII B - Franz Liszt’s Variations on “Weinen Klagen” – Grief, Virtuosity and Historicity - Arabella Pare
Download File
Parallel Session VII C - In-Tensions - Caruso & Eldem
Download File
