Research presentations selected from the call for proposals EPARM 2026.
Anderskov, Jacob - The Continuously Receding Fourth Wall. Cooperation, improvisation, and research co-created with the audience
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Barbosa, Suyanne Brenda - Re-Sounding the Bekan Horn Transcultural Dialogues Between Ancient Irish and Amazonian Long - Reed Instruments
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Braender, Maria - Awkward multi-being actions and abstractions in performance. Conjuring eco-queer atmospheres with butterflies and moths
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Bjørnstad Foss, Eira - Mobility, Simplicity and Alternative Artistic Ecologies: Exploring performer autonomy, micro - formats and new forms of audience engagement
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Ciciliani, Marko - Transmedia Composition and Hermeneutic Accrual Early Empirical Insights from BAROGUE
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Efstathiou, Zoi - An Oracle of Sounds Sampling potential sonic futures using text-sound multimodal models
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Frisk, Henrik - Research education through artistic co-creation: mapping different nodes for collaboration in a shared research environment
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Garbin, Agata - When the Body Listens Back: Gesture as sonic feedback, rethinking the performer - instrument relationship
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González, Pedro - Mechanical Animalities Robotic Puppetry and More - Than - Human Presence in Contemporary Music Composition and Performance
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Hellstenius, Henrik - Why don ́t you just write an article? - composing with a complex musical language and difficult texts
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Holt, James - “I Am Simpatico”: Exploring Interdependence and Shared Agency with Community Groups through Co - Creation How can collaborative songwriting frameworks support shared agency, co - authorship and interdependence within participatory music - making with carers?
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Kanga, Zubin and Howard, Emily- Composing DEVIANCE Creative transformation through neuroscience and AI
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Krizic Roban, Ivar - Thomas Grill and Adrian Kempf: ESP Duos - Remote Collective Improvisation and the Embedding of Internal Counterparts
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Lüneburg, Barbara - Gender Narratives and the Embodiment of Charisma in European Art Music Performance
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Misgeld, Olof - In Motion – Mediations of Interplay
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Orning, Tanja - Metaxis: Sound of Movement and Movement of Sound Entangling Cello, Bow, Body, and Movement in a Collaborative Compositional Process
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Orsenigo, Lorenzo - Artistic Hacking as transformative encounter Interpretation, Collapse, Co-Creation, and Relational Responsibility
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Perez, Nico - Music, Identity and Cooperation: Co - Creating Gender - Inclusive Learning Through Artistic Practice How collaborative musicking fosters gender - affirming spaces in education
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Rosenberg, Susanne - Giving space, giving time, giving flow Shadow singing as a method for attention in Folk Song Lab
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Summers, Sarah Jane - Cross - Pollination A Found Archive of Scottish Hardanger Fiddle Music (A ScHaM)
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Wilhite, John Andrew - Ethics of Musical Ecologies Reflections on Interspecies Musical Encounters and their Mediations
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Bell, Sean - Recording Nostalgia Exploring the interpretation of British vocal music from the 17th century through a poetic, experimental and “haptic” approach to Historically Informed Performance.
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Deorsola, Filippo - Putting Sound to Work Piano Preparation, a tool for composing within hybrid tuning systems
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Dolan, David - From Lonely Wolves to a Mind - Reading Ensemble: The power of improvisation to inspire active listening, trust, and a state of flow
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King, Katelyn - Not Alone, Together ! A Polyphonic Lecture - Performance on Collaborative Musicking Intersecting Research Trajectories in Experimental , Collective Music Practices
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Kosecka, Martyna - Composing Protest: Mini - Opera as Feminist Practice Reflections on Artistic Research through the mini - opera “ Lūmen I”
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Mayas, Magda and Caddy, Anthea - Sounding Care: Listening as Infrastructure for Solidarity How can spatial sound practices create conditions for care and collective knowledge - making within precarious artistic communities? Presentation of COST action Toolkit of Care
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Mureddu, Libero - The Avatar and I: Affects , vulnerability, and ethics in a digitally mediated free improvisation performance
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Nataas, Gisle - Architecture as Instrument how built structures themselves can act as sounding bodies — acoustic instruments that express material, spatial and historical characteristics
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Snekkestad, Torben - Glacier Lamentation The sound of climate change
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Tamagna, Albane - Lingue che mancano Rediscovering our roots through breath and sounds
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Vacher, Johann & Gurin, Tom - Ghosts in the Piano Acoustic Feedback as a Musical Partner in a Grand Piano
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Zseni-Clausen, Zsuzsa - Voice Twist How can classical singing technique support sustainable and diverse vocal practices in a co - created work for voice and interactive electronics
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