Thursday 9 April
12:00
Registration - informal networking
12:30 - 13:00
Pre conference introductory session to the EPARM and its work
13:00 - 14:00
Lunch
14:00 - 14:30
Opening event
14:30 - 15:30
Keynote speech
15:30 - 15:50
Coffee break
15:50 - 16:20
Research Presentations I (click to check abstract and bio)
Location TBC
A - Gender Narratives and the Embodiment of Charisma in European Art Music Performance - Lüneburg, Barbara
Location TBC
B - Research education through artistic co-creation: mapping different nodes for collaboration in a shared research environment - Frisk, Henrik
Location TBC
C - An Oracle of Sounds Sampling potential sonic futures using text-sound multimodal models - Efstathiou, Zoi
16:20 - 16:30
Break to allow room change
16:30 - 17:00
Research Presentations II (click to check abstract and bio)
Location TBC
A - Why don ́t you just write an article? - composing with a complex musical language and difficult texts - Hellstenius, Henrik
Location TBC
B - “I Am Simpatico”: Exploring Interdependence and Shared Agency with Community Groups through Co - Creation How can collaborative songwriting frameworks support shared agency, co - authorship and interdependence within participatory music - making with carers? - Holt, James
Location TBC
C - When the Body Listens Back: Gesture as sonic feedback, rethinking the performer - instrument relationship - Garbin, Agata
17:00 - 18:30
Open Space - Themed discussion chaired by Stephen Broad (EPARM WG)
19:00 - 20:00
Concert
20:00 - 21:00
Reception
Friday 10 April
09:30 - 10:30
Information Forum
10:30 - 11:00
Coffee Break + Information Market
11:00 - 12:30
Round Table
12:30 - 14:00
Lunch
14:00 - 14:40
Research performances I (click to check abstract and bio)
Location TBC
A - The Avatar and I: Affects , vulnerability, and ethics in a digitally mediated free improvisation performance - Mureddu, Libero
Location TBC
B - Composing Protest: Mini - Opera as Feminist Practice Reflections on Artistic Research through the mini - opera “ Lūmen I” - Kosecka, Martyna
Location TBC
C - Ghosts in the Piano Acoustic Feedback as a Musical Partner in a Grand Piano - Vacher, Johann & Gurin, Tom
14:40 - 14:50
Break to allow room change
14:50 - 15:20
Research presentations III (click to check abstract and bio)
Location TBC
A - Re-Sounding the Bekan Horn Transcultural Dialogues Between Ancient Irish and Amazonian Long - Reed Instruments - Suyanne, Brenda
Location TBC
B - Transmedia Composition and Hermeneutic Accrual Early Empirical Insights from BAROGUE - Ciciliani, Marko
Location TBC
C - Awkward multi-being actions and abstractions in performance. Conjuring eco-queer atmospheres with butterflies and moths - Braender, Maria
15:20 - 15:50
Coffee break
15:50 - 16:30
Research performances II (click to check abstract and bio)
Location TBC
A - Architecture as Instrument how built structures themselves can act as sounding bodies — acoustic instruments that express material, spatial and historical characteristics - Nataas, Gisle
Location TBC
B - Voice Twist How can classical singing technique support sustainable and diverse vocal practices in a co - created work for voice and interactive electronics - Zseni-Clausen, Zsuzsa
Location TBC
C - Not Alone, Together ! A Polyphonic Lecture - Performance on Collaborative Musicking Intersecting Research Trajectories in Experimental , Collective Music Practices - King, Katelyn
16:30 - 16:40
Break to allow room change
16:40 - 17:10
Research presentations IV (click to check abstract and bio)
Location TBC
A - Mobility, Simplicity and Alternative Artistic Ecologies: Exploring performer autonomy, micro - formats and new forms of audience engagement - Bjørnstad Foss, Eira
Location TBC
B - Composing DEVIANCE Creative transformation through neuroscience and AI - Kanga, Zubin and Howard, Emily
Location TBC
C - Music, Identity and Cooperation: Co - Creating Gender - Inclusive Learning Through Artistic Practice How collaborative musicking fosters gender - affirming spaces in education - Perez, Nico
17:10 - 17:20
Break to allow room change
17:20 - 18:00
Research performances III (click to check abstract and bio)
Location TBC
A - Glacier Lamentation The sound of climate change - Snekkestad, Torben
Location TBC
B - Putting Sound to Work Piano Preparation, a tool for composing within hybrid tuning systems - Deorsola, Filippo
Location TBC
C - Sounding Care: Listening as Infrastructure for Solidarity How can spatial sound practices create conditions for care and collective knowledge - making within precarious artistic communities? Presentation of COST action Toolkit of Care - Mayas, Magda and Caddy, Anthea
18:00 - 18:30
Guided tour of the academy (optional) - Meeting point: registration desk
19:00 - 21:00
Dinner
Saturday 11 April
09:10 - 09:40
Research presentations V (click to check abstract and bio)
Location TBC
A - Thomas Grill and Adrian Kempf: ESP Duos - Remote Collective Improvisation and the Embedding of Internal Counterparts - Krizic Roban, Ivar
Location TBC
B - The Continuously Receding Fourth Wall. Cooperation, improvisation, and research co-created with the audience - Anderskov, Jacob
Location TBC
C - Giving space, giving time, giving flow Shadow singing as a method for attention in Folk Song Lab - Rosenberg, Susanne
09:40 - 09:50
Break to allow room change
09:50 - 10:20
Research presentations VI (click to check abstract and bio)
Location TBC
A - Mechanical Animalities Robotic Puppetry and More - Than - Human Presence in Contemporary Music Composition and Performance - González, Pedro
Location TBC
B - Metaxis: Sound of Movement and Movement of Sound Entangling Cello, Bow, Body, and Movement in a Collaborative Compositional Process - Orning, Tanja
10:20 - 10:30
Break to allow room change
10:30 - 11:10
Research performances IV (click to check abstract and bio)
Location TBC
A - From Lonely Wolves to a Mind - Reading Ensemble: The power of improvisation to inspire active listening, trust, and a state of flow - Dolan, David
Location TBC
B - Lingue che mancano Rediscovering our roots through breath and sounds - Tamagna, Albane
Location TBC
C - Recording Nostalgia Exploring the interpretation of British vocal music from the 17th century through a poetic, experimental and “haptic” approach to Historically Informed Performance - Bell, Sean
11:10 - 11:30
Coffee break
11:30 - 12:00
Research presentations VII (click to check abstract and bio)
Location TBC
A - Cross - Pollination A Found Archive of Scottish Hardanger Fiddle Music (A ScHaM) - Summers, Sarah Jane
Location TBC
B - Ethics of Musical Ecologies Reflections on Interspecies Musical Encounters and their Mediations - Wilhite, John Andrew
Location TBC
C - Artistic Hacking as transformative encounter Interpretation, Collapse, Co-Creation, and Relational Responsibility - Orsenigo, Lorenzo
11:30 - 12:30
Safe Space
12:30 - 13:00
