AEC European Platform for Artistic Research in Music (EPARM) 2023
‘Upbeat: Futures of Artistic Research in Music’
Royal Danish Academy of Music, Copenhagen (Denmark) and online
30 March – 1 April 2023
Pre-conference workshop - GloCoDa
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Pre-conference workshop - HarMA+
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Pre-conference workshop - Horizon Europe - Marie Skłodowska-Curie Actions: Postdoctoral Fellowships (MSCA – PF). Opportunity for Music Research
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Keynote - Barbara Lüneburg - Epistemology of Artistic Research. Chances and Challenges
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Round Table - Learning from and through artistic research
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ARTEMIS Safe Space
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ARTEMIS Code of Conduct for AEC events
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Parallel Session I A - Challenging Traditions Communicating Artistic Research as an integral part of the final Master performance - Rik Cornelissen, Steven Faber, Annemarie Reitsma
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Parallel Session I B - The musician as researcher: Enhancing the role of music in local communities through research - Paolo Paolantonio
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Parallel Session I C - The fourth person in a trio: Investigating the artistic identity of an ensemble - Jens Elvekjær
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Parallel Session II A - Teaching Music Performance in Higher Education: exploring the potential of artistic research - Stefan Östersjö et al.
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Parallel Session II B - The Augmented Composing-Performer. Creative approaches and re-interpretation practice within video-art music - Carlo Siega
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Parallel Sessions II C - Artistic Research Practices as Inspiration for the Development of Research Tools for Higher Education Music Students - Jimena Maldonado et al.
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Parallel Session III A - Integrating artistic research in the undergraduate curriculum: Approaches from current practice at the Royal College of Music (London) - Christina Guillaumier
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Parallel Session III B - The Art of the Unspoken: Rhetorical Devices, Linguistic Parallels and the Influence of the Singing Voice in Classical and Romantic Piano Literature - Gabriela Mayer
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Parallel Session III C - Learning from Craft Tool-building and Poiesis in Artistic Research Practices - Kevin Toksöz Fairbairn
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Parallel Session IV A - Tangencies: Developing Interdisciplinary Methods for Composition and Performance in Western Art Music - Pedro Gonzalez
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Parallel Session IV B - On listening, feedback models, and dialogue concepts in the subject Artistic Development Work - Jacob Anderskov
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Parallel Session IV C - Exploring Musical Togetherness: An embodied approach to relational interpretation in instrumental duo encounters - Jessica Kaiser
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Parallel Sessions V A - Artistic Research in an Interdisciplinary Context - Norbert Meyn
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Parallel Session V B - AR meets AI: Researching roles and identities in musical human-machine-collaborations - Sebastian Trump
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Parallel Session V C - Framework, Ornamentations and Points of contact - Anne Schinz
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Parallel Session VI A - Combining Artistic Research with Professional Practice - David Gorton and Sarah Callis
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Parallel Session VI B - Musical Text Work II: A vocal coloring book - Helene Gjerris
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Parallel Session VI C - Interpreting Freedom: Researching the Experience of new Approaches to Xenakis’ Free Stochastic Music - Arabella Pare
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Parallel Session VII A - Empathic Speculation - A 4E Cognitive Approach to Jazz Interaction - Andrew Bain
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Parallel Session VII B - Re-Sounding the historical Congolese xylophone collection and cultural heritage through artistic research practices - Adilia Yip
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Parallel Session VII C - Relational Knowledge in Artistic Research in search of a reality that can only be clarified through art - Rui Penha
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Not-the-L8Nite performances I A - Circular compositions for saxophone solo: Following a composition’s transformations through improvisation and collaborative creating - Birgitta Flick
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Not-the-L8Nite performances I B - Embodying Music and Dance- Breaking Boundaries of Pianist’s Corporeality - Diana Zandberga
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Not-the-L8Nite-performances I C - Back to Technology - Anders Mathiasen
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Not-the-L8Nite performances II A - Not even remotely dead cats: The Denmark performance - Helena Marinho, Øyvind Brandtsegg, Rui Penha, Bruno Pereira
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Not-the-L8Nite performances II B - Playing with Ole Schmidt: The co-creative process of revising and realising forgotten musical works - Jesper Sivebaek and Bjarke Mogensen
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Not-the-L8Nite performances II C - The Labyrinth. Using new music experience to recreate historical music - George Kentros
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Not-the-L8Nite performances III A - Phonetic Karaoke - YstrandiLovi: Glitch appropriation based audiovisual piece - Caeso
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Not-the-L8Nite performances III B - Rainbow Bridge. 7 electronic essays from Tokyo - Hans Peter Stubbe
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Not-the-L8Nite Performances III C - Quarter-Tone Accordion Understanding what the instrument is through its resistances and affordances - Lore Amenabar
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Not-the-L8Nite performances IV A - The sound of light, Gaudí & Mompou: Transversality in Performative Artistic Research - Adolf Pla
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Not-the-L8Nite performances IV B - THE BOUNDARY-SEEKING SONG COMPOSER Rued Langgaard’s songs - Berit Johansen
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Not-the-L8Nite performances IV C - Hélène de Montgeroult: rebel woman, offbeat artist. A case-study for a new concept of concert-melologue - Luca Chiantore
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